Evolution vs. Chris Benoit/Shawn Michaels/Mick Foley/Shelton Benjamin, WWE Raw (4/12/2004)

Commissions continue, again from Shock, as the snake reverses. You too can be like them and pay me to write about anything you’d like. Most people tend to pay for reviews of wrestling matches, but I am happy to talk about real fights, movie fight scenes, movies in general, make a list, or whatever. You can head on over to www.ko-fi.com/elhijodelsimon to do that, just make sure I haven’t already written about it first. The going rate is $5/match, or with regards to other media, $5 for every started thirty minute chunk. If you have a more elaborate thing in mind, hit the DMs, and we can talk about that too. 

This is much more like it.

Something you should know is that, at least as it pertains to the upper section of the card, I love 2004-5 Raw.

Call it a guilty pleasure if you would like. You could also call it the tail end of childhood nostalgia, as 2004 was the last year I was really like a WWE Fan proper, before the combination of TNA on free television and starting to regularly download matches from ROH and other indies at the end of the year got rid of that pesky little habit. But all of the different combinations of Evolution tags and matches against a tremendously skilled upper to midcard babyface core (Benoit, Shelton, Jericho and Edge when they were capable of being in good matches, Tajiri) do a lot for me. They’re not always perfect, old man Flair is not the most physically gifted and not every babyface there is great on their own, Shawn Michaels and/or Triple H is often also involved, etc., but any combo of Orton, Batista, and Benoit in a tag in 2004 is a slam dunk, and the brand has an astonishing success rate when attacking the rim here, so to speak.

(does 2004 Raw follow the theme of the year and Go To Work? Some would say yes. There is a man called Big (first name), an undersized all-world talent running the point, part of the team is now a coach for one of the most loathsome outfits in the sport, someone constantly getting in foul trouble, etc. If a basketball cannot hold a grudge, it also probably does not lie.)

I would love to write a bunch of words about the better Evolution tags of 2004, and their many virtues. The way they feel like updated versions of old Horsemen TV tags, the old style structure wholly unique in a WWE environment, the emphasis on hard hitting and violence, the manic finishing runs, all of that. Outside of Bryan vs. The Shield, it’s the best continuous series of matches involving a singular faction in WWE history, and I have a whole lot of time for these matches, and for writing about these matches.

This, however, is not one of the better ones.

Part of that comes down to the line up, as the very best ones tended to have a Benoit/Edge/Jericho babyface core, or the one-off Benoit/Orton/Shelton combo that came after Orton’s turn at the end of the summer. Despite the all-star line up, this makes a few choices that separates it in a more negative way from the better Evolution tags and six-mans that mostly followed.

Specifically, because this is essentially the root of every choice made, there is too much focus here on wrestlers who either totally mail it in or are not very good, and sometimes the two overlap. Almost every other great Evolution tag does not involve Triple H, who is simply not an especially good wrestler on a week to week level. The best Evolution tag work sees Orton and Batista in there for long stretches against Benoit, as he basically spends the year molding them into great wrestlers in a way you may have seen a decade later in the Bryan/Shield series (these have basically the same idea, glue your golden boys to the best wrestler in the company for 6-12 months and force them to get great as quickly as possible). Likewise, there’s a lot too much here of Shawn Michaels and Mick Foley compared to the other two babyfaces, with one (Foley) who would have been out of his element in a match like this even as an active wrestler in his prime and who now is semi-retired and clearly saving himself for the weekend’s pay-per-view, and another (Michaels) who has none of those excuses, but simply turns in an uninspired house show ass performance.

The latter is the one that really hurts, as while Foley is minimized and Hunter only in for bursts, Shawn Michaels is the one who gets the majority of the match’s big moments like the dive into break, the hot tag, and the majority of the finishing run. It’s not surprising, of course it is all about Shawn even when he is like the sixth best wrestler out of eight in the match and the third best on his team, but it’s especially grating when he turns in a dull and passionless performance off the tag and two wildly energetic and/or psychotically intense wrestlers wilt on the apron.

Generally speaking, the match simply lacks the energy of the best Evolution tag work, especially down the stretch, where a lot of things do not go right, and the usually more intricately put together Benoit-led finishing run is instead taken over by a half-speed and quarter-assed Michaels style one instead.

It is not without its virtues though!

The first half in particular is especially good. This is mostly Flair playing the hits against Shawn and then trading leather and some heavy hands (again, Flair never quite gets credit for those great corner punches) with ex-Horseman Benoit. Shelton gets in on the act and the big fella Big Dave has a few really impressive moments. Up until the commercial break, it is a genuinely super fun match. The control work on Benoit and then Shelton is also very good, largely led by Batista and Orton against both guys. The weak spots are there sprinkled in, but most of this is really really good. It’s just that it falls apart in the key moments, and for all of these foundational strengths and great flourishes throughout, it lacks the quality moments in the most memorable parts of the match, and suffers for it in ways other Evolution tags simply do not.

Shawn pins Orton with the kick, whatever.

Real far from the best version of this thing, but a fun enough house show version that just so happened to make it onto television.

three boy

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