Photo courtesy of the phenomenal @OliWrestling on Twitter.
This was the finals of the 2017 16 Carat Gold tournament.
You might have heard of this. It’s a pretty great match and a pretty famous match as well, effectively launching Ilja and arguably doing even more than that for the company at large. As someone who was transitioning into being a more active viewer and more aware fan in late 2016 and early 2017, it was the first time I had heard anything about WXW in a while. Again, you never want to assume your experiences are universal, I can’t say everyone felt that way about it or experienced that reaction, but it was a doorway back into the company for me. I’ll always associate this match and the weekend/tournament as a whole with that feeling.
That being said, I’ve never loved it.
I’ve seen it now five or six times, wanting to unlock the same feeling that it seemed like everyone else whose opinions I respect felt watching this, which is not a singularity with this match specifically, but I think it’s a disparity that I’ve felt most acutely with regards to this match specifically.
It’s a match that I respect and admire, more than one that I really love.
The booking of the thing is phenomenal, one of WXW’s finest hours in that regard since the 2011 16 Carat Gold finals, which saw what I would have considered previously to be their crowning achievement (and on a match quality basis, still is). The way this match is set up, in three different ways — from the history between the two, to the tournament’s weekend long booking, to the history of the tournament as a whole — is genuinely masterful, and the sort of set up that more promotions really ought to take a look at.
WALTER and Ilja met before near the end of 2016 in a great little match, in which Ilja showed something, but was distracted by issues within his group Cerberus that cost him the match. Ilja Dragunov no longer has those distractions, and the match has a very simple and good foundation to work with, your classic example of a familiarity enhanced by simple narrative.
Beyond just the slight history between these two, the tournament itself is also pristinely assembled. Ilja’s gone through another former member of that same Cerberus faction in Avalanche, WALTER’s tag team partner in Thatcher, and earlier in the night, another longtime WXW top guy in Bad Bones, a clear story of progression past the group, and into the upper echelons. In comparison, WALTER’s run to the finals has been all about turning challenges away, from would-be successors like David Starr and Marius Al-Ani to a slugfest against Matt Riddle earlier in the show to avenge a loss earlier in the month. It’s a clear and perfect story about one man protecting the upper echelon and one man slowly trying to break into it.
Even outside of what’s done this year, there is a clear history in the 16 Carat of matches like this in the finals going a certain way. There is a repeated theme in this tournament in the 2010s of the established star turning back the one on the rise. There are exceptions (2013 in the Zack vs. End final, and 2011, which was arguably different as Callihan was an outsider), but El Generico beat Tommy End in 2012, Chris Hero beat Axel Tischer in 2014, Tommy End himself turned back Axel Dieter Jr. in 2015, and Zack Sabre Jr. turned back Dieter again the year before.
You might wonder who the last young wrestler to make the leap in the 16 Carat Gold finals against an established star was, and it was WALTER himself, when he beat Chris Hero in 2010.
Before the bell even rings, this is a match that presents three different fascinating questions that stack up perfectly on top of each other. Can Ilja beat WALTER now that he’s the best version of himself, free from all distraction? Can Ilja enter the main event picture of WXW in doing do, or will WALTER turn back another would-be peer and establish total and complete dominance yet again? Lastly, can any young wrestler break through in the 16 Carat Gold final, or will yet another promising young wrestler be shut down by veteran opposition in an environment that is not kind to inexperience?
The answer to every single one is a resounding yes, shouted as loud as possible from the highest point possible.
As a story, it is one of the best constructed in wrestling in some time.
As a match, it is pretty great.
That’s sort of just it. It’s pretty great, and not really great.
It’s a stupid difference that doesn’t really matter all that much, outside of that it’s probably worth explaining why a lot of people in my general sphere or corner of this chunk of the wrestling internet are wildly high on this match, and why it’s not going to make any year end lists on this blog. My problems with this are also small dumb little problems not so heavy as to tear down the story they built or even to say this is not a great match. I just don’t love it like that. My feelings top out at “yeah, that was great”. I find it hard to support Ilja entirely, still being a little too goofy for me combined with a few real weak Lariats that are supposed to be bigger game changers than they feel like they ought to be. It doesn’t totally feel like he’s doing what the match says he is, or at least not all of the time, and maybe that’s sort of just a natural result of WALTER being so great in a match built around elevating a promising young wrestler, but it’s a (minor) impediment all the same.
Like Ilja himself being something of an unfinished product still and feeling off as a result given the match’s aim, something about the entire thing too is just slightly off for me, and even if it’s not as off as their empty arena match in 2021, it’s enough to land this in the most uncomfortable zone a match can exist in for me, this combination of “wait, that’s it?” and still thinking a match mostly rocked.
What works about this really works though.
To start with, it is yet another all-world performance by the big man. His offense is maybe the best looking in wrestling at this point. Absolutely nothing he does fails to look like it would kill a normal human being. The chops are all absolute motherfuckers, enhanced by Ilja’s skin tone making it easy for them to leave their mark as a visual shorthand for the beating WALT’s putting the boy through. His slow escalation of his selling in the back half of the match is also real special, best in the world level stuff to slowly show the damage collecting and giving Ilja more and more of an opening for the last ditch desperation shots. Ilja’s also fantastic here like seventy or eighty percent of the time. His weird faces work on occasion, but when he hurls his body around, it’s electric. The big chop war is one of the best of its kind in recent memory, each shot being different as a result of tone and reaction, and each one telling this story of Ilja slowly pounding the door down and off the hinges. Again, it’s not all totally tied up and assembled yet, but everything that works about Ilja is there in one way or another.
After the big kickouts that all work as well as ever because of the way tournaments work, Ilja responds to a slap fight by hurling himself in with a second Torpedo Moscow for the win, delivering that high decibel answer with as much force and persistence as possible. If the match itself didn’t totally deliver, the moment absolutely did, and that’s what this is really all about.
One of the decade’s most remarkable achievements, even in spite of Rico Bushido doing commentary.
***1/4