Daisuke Sekimoto vs. Yoshihito Sasaki, BJW Strong Climb 2012 Final (3/26/2012)

This was the finals of the inaugural Strong Climb tournament, with the winner becoming the first ever BJW Strong World Heavyweight Champion.

First, some backstory.

Everyone knows about Daisuke Sekimoto. By this point, he’s Japan’s reigning King of the Indies. It’s no official title, but it’s just the sort of thing you know. He’s been almost everywhere by now. He’s gone to America to plant the BJW flag in CHIKARA. He’s gone to DDT to win the KO-D Title. He’s taken the fight to All Japan, and become a hero. He’s credited as the founding father of the Strong BJ style that’s won hearts and minds, but strictly speaking, that’s not true. Because it ignores Yoshihito Sasaki. Yes, he’s no trueborn. Yes, he came from ZERO-1 originally. But it was his leaving and joining the team that really ignited all of this, giving Sekimoto someone around him actually on his level. Before Okabayashi was ready, before there was Strong BJ, Yoshihito Sasaki was Daisuke Sekimoto’s original partner, prior to being tossed aside for the trueborn.

They’ve done a beautiful thing with this. Daisuke Sekimoto is the standard bearer. The face of the company, division, and style. If anyone deserves to win this first tournament and be the first champion, it’s Daisuke Sekimoto. While Sekimoto has been off waving the company flag, Yoshihito Sasaki has made it his home and defended BJW from multiple would-be invaders. He’s come to fight when the company has needed him to back up Sekimoto and Okabayashi, and often paid for it and eaten falls to build up their tag matches. He’s been stuck in the shadow for years. None of that, really, is the fault of Daisuke Sekimoto. He’s uncommonly strong, thick, all of that. He casts a mighty large shadow, and one that tends to keep a great many people before and after this in the dark. But Yoshihito Sasaki is tired of standing in it. Trueborn or not, he embodies the ideals of the company and division as much as anyone ever has, and it’s always just a little bit easier to root for the aggrieved underdog, who’s had to work twice as hard for the things that Sekimoto has achieved very easily through his more prodigious physical gifts and the full might of the company behind him. Even in their semi finals, Sasaki had to get past arguably the best wrestler in the world while Sekimoto only had to beat Bad Bones. He wasn’t some slouch, but Sekimoto isn’t bothered at all by anything that happened in that match. In comparison, Sasaki limps out with his chest red, and his facial expression telling the whole story. He is hurt, he is sore, he is tired, but this is the best shot he’s ever going to have at stepping out of Sekimoto’s shadow and becoming his own person.

It’s the most important match in the career of either man to this point, for markedly different reasons. For Daisuke Sekimoto, winning this is his victory lap. A coronation. Proof of what the world is coming to know and evidence of his mastery of the style and division, something to hold up with his name on it to prove he is the king. For Yoshihito Sasaki, winning this is a long shot, and it is as much about the tournament and title as it is about defeating Daisuke Sekimoto on the biggest possible stage.

It’s one of the great booking victories in the history of Big Japan that they saved this match up until it meant as much as it possibly could, and then put it in a position to not only deliver upon all that story and build, but to do so in the finals of the big tournament and to do so for this brand new title, to immediately put both of the new creations on the map. 

It’s a credit to Sekimoto and Sasaki that it not only lives up to all of this, but that it considerably outperforms the expectations put upon it.

I would not necessarily accuse the Strong BJ style of being one that encourages a great deal of fat on its matches. Typically, these things are efficient even if not every single one is a barnburner or whatever. This, however, is a special one. This is closer to fifteen minutes than twenty and there’s an incredible sense of urgency from the very start, every bit the perfect tournament final. They waste no time in not only getting to the stuff that matters, but in getting right to the story, as Sekimoto breaks out a big match dive within the first minute to establish himself. It’s a brilliant little piece of work, as he needs a large maneuver to immediately assert himself against Sasaki but it also doesn’t take him long at all to actually do it. It’s a perfect balancing act.

They maintain that perfect balance for the duration of the match. Sasaki is never someone Sekimoto can easily push around, but he’s not as strong as he is. There’s a reason this shadow fell over him in the first place. It’s as simple as the distinction between Sekimoto being sent reeling by the chops of Sasaki and Y-Sasaki being sent flying onto his back by the chops on Sekimoto. That’s as simple as it needs to be. It’s as simple as this ever needs to be. Sekimoto can handle him with ease, up until the point where he can’t, except that Sekimoto never really adjusts to this. Sekimoto’s casual attack is eventually his undoing, lacking the passion and need to win this specific match that Sasaki has. One of the most interesting things in wrestling to me is when a match matters so much more to one party than it does to the other, and that helps make this so much more interesting than it would be on moves and strikes alone.

Sasaki tries and never stops trying though, and his break comes when Sekimoto once again doesn’t bother treating him like real and honest challenge and more like a thing he knows he can get past. It’s the most important match of Sasaki’s life, and it’s another match for Daisuke Sekimoto. The upside of being a Terminator is that he’s impossible to kill and wins most matches. The downside is that a robotic sort of approach means he’ll never have the drive, need, and desperation that my son Yoshihito Sasaki has in this match. When Sasaki kicks out of the Deadlift German Suplex, Sekimoto fails to properly take it as a sign that this is serious, because he’s in that God-King sort of Ace mindset, looking up at everything from 40,000 feet in the sky. He keeps on with the usuals, and Yoshihito has an opening and he finds a way to stall the T-101 that Sekimoto’s become by now.

Sasaki can’t find a hydraulic press anywhere inside of Korakuen Hall. Instead, he shuts down the CPU by throwing his own head into it until it short circuits. I love him so much.

Sekimoto survives one Lariat, but he looks out of it when he gets up. Not in a tired or unconscious or desperate sort of way. His eyes are wide, and while he is present, he is so far removed. His brain is broken. He tries to swing at Sasaki, but he swings faster, harder, and wilder. It’s as desperate as anything else Sasaki did in this match, but there’s an incredibly charming confidence behind it now. He sees what’s happened and knows that the door is open for the first time all match. Yoshihito Sasaki pushes it through as soon as he can see a sliver of light. More grotesque headbutts to keep the CPU stalled out. A final and equally horrific Lariat puts Sekimoto down, giving Sasaki the underdog win of both the tournament, and of the title itself. Sasaki steps out of the shadow in the most impactful and inspiring way possible.

Yoshihito fucking Sasaki.

The easiest way to step out of a shadow is to destroy the thing casting it to begin with. Hit it until it crumbles. Solve your problems by hurling your brain at them.

There are a few Strong BJ matches that I might put on the same level as this match. I say that to qualify it when I say that this is one of the best Strong BJ matches of all time. I called Sekimoto/Okabayashi a month before spiritually perfect as far as this style goes, and this is a step above that. It has all of the great parts of a match like that, this surefooted and constantly moving intensity throughout, with zero fat on the the thing, but with an emotional punch too. Strong BJ is so often purely and delightfully mechanical, but when you add in a massive display of heart to it, it results in something this special. That’s the difference. All the delightfully streamlined violence but now with something a little more behind it too.

Daisuke Sekimoto can be a hard guy to full throatedly support sometimes. He whips ass, he’s great at putting these sorts of matches together, but he’s a hard guy to cheer for. He’s such a singularity. You want to watch him, but rarely do you want to see him win, especially in his own environment. This is his career singles match because it organically removes him from a position as the driving force behind the story, and instead turns him into the final obstacle to be overcome, by one of the division/style’s all time great working class heroes. Yoshihito Sasaki hasn’t gotten half of the large scale triumphs that Sekimoto has, and it makes it all the more fulfilling when his ultimate triumph comes in the biggest possible match, for the biggest possible prize, against the man he’s spent most of the last five years playing second fiddle to. As much fun as this as a pure physical spectacle and a display of tangible violence, the real value of this is as an affirmation of a career’s worth of hard work. Yoshihito Sasaki didn’t have a career full of glorious moments, but he did have this, and it’s triumphant enough that it feels like a completely fair trade off.

This isn’t the match you show someone to make them fall in love with the style/division/era. Not quite. It requires a context and a pre-existing appreciation to land absolutely perfectly. This is the match you show someone once they’re already in, to solidify everything.

One of the peaks of the style, and among the best matches of the decade.

****

Yoshihito Sasaki vs. Sami Callihan, BJW Strong Climb 2012 Final (3/26/2012)

This was a semi-final match in the 2012 Strong Climb tournament.

These two have had a few encounters before in 2011, but this is the banger it always felt like they were capable of. One of the very best Sami Sprints of all time, maybe even the very best one period. Horrifically punishing sort of a match, and a unique match among Sami’s best, because it’s the rare upper level Callihan match where he isn’t quite playing the perfect underdog dirtbag babyface. It’s not so much that there is some great deep story behind it, or that it was this perfect match up to emphasize Sami’s grit, like a Sami/Brodie or Sami/Sekimoto in 2011. In fact, it’s the opposite. This is allowed to get as stupid, violent, and viciously petty as possible, in the most maximalist possible way.

Sami is a shithead foreigner who respects nothing, and constantly draws the most violent side of Sasaki out. Sasaki gleefully punishes him and adapts some of Sami’s own language and mannerisms to really rub it in, from mimicking his gun gestures and spitting on his hand before a chop, down to shouting “COME ON BABY” at Sami while standing on his face. It’s a credit to Sami’s performance as a goth version of that shithead from the famous meme about how every country in the world belongs to America that this treatment never once feels undeserved or even a toe out of line for Sasaki.

The violence on display is also a treat.

There’s a good three to four minute section where all they do is chop each other. It isn’t like Sasaki vs. Kobashi or Shiozaki where they simply stand and trade with minor shifts in selling the chops while still going, because Callihan and Sasaki are both knocked down and back here and there. They’re telling the same basic story — Sami is a shithead who is just tough enough to always be in this, but not quite as strong as he thinks — entirely through this one shared piece of offense. Sami keeps being knocked down, in more dramatic and violent ways, but always gets up. It would be admirable as hell if not for Sami playing up his innate filth and grime exactly the right amount to make that impossible.

It’s such a great Sami performance because for all that filth and grime, he’s so slippery. You don’t think of him as slippery, but he can really be a hard guy to get a hold of in a match like this. He hangs tough long enough to maybe get a straightforward killer like Sasaki to punch/chop himself out until he makes a mistake, and that’s what happens. Callihan pounces, he does all he can, and while it’s not enough, he’s still so hard to pin down. Literally, he feels impossible to actually beat. Sasaki’s single achievements have stalled over the last few years, and Sami is real high up on a list of kings of the indies, and the more Sami survives, the more possible it seems that he could do this thing. It’s only a semi final after all. Daisuke Sekimoto is all but assured a place in this tournament final, it being the inaugural tournament designed to highlight a style practically ascribed to him alone.

Yoshihito Sasaki, man.

Yoshihito fucking Sasaki.

While Sami is this manic ball of energy, Sasaki is always something much more measured and well maintained. As much credit as Daisuke Sekimoto gets and deserves, Sasaki has every bit as much to do with defining what Strong BJ style is, and he puts on a perfect performance here to illustrate that. Violent, measured, casually mean as hell, but incredibly logical. Nothing he does lacks sense or impact. Everything he does looks and sounds perfect. So, when he kicks out at one and huffs and puffs his way up, it means something. When he begins to freak out, it not only elevates the match, but it elevates Sami as an opponent.

Unfortunately, Sami does a fighting spirit kickout after a Burning Hammer.

It’s not the end of the world so much as a thing that nobody with good taste would ever do. It’s not the end of the world because Sami inflicts no more offense following that. It’s dumb, and I don’t like it, but it’s done in a way that causes the least amount of damage to either man. Sasaki mows him down with one Lariat for a nearfall and then another to put him down. A heavy heavy challenge, but Sasaki once again turns back an outsider and somewhat surprisingly makes it into the finals.

Masterful sort of a thing, as it’s this go-go-go slugfest that revels in how over the top and spectacularly dumb it is, but does so in an artful sort of way. One of the better Callihan matches you’ll find during his peak, one of the better Y-Sasaki slugfests ever, and a nearly perfect not-quite-top-level Strong BJ sort of a match. It’s the kind of match everyone would talk about if it happened at any point in the last three or four years, but that fell between the cracks in a better time, and with maybe the all time greatest Strong BJ match happening later in the night.

***1/2

Daisuke Sekimoto vs. Yuji Okabayashi, BJW (2/26/2012)

This was part of the inaugural Strong Climb tournament.

It’s not the first match they’ve had against each other, but it’s the first one that doesn’t seem like a foregone conclusion, as a result of Okabayashi’s growth in 2011. After having to repeatedly carry the load in big matches when Sekimoto has to take one guy out and leave his kid alone with the other, or where Sekimoto is targeted more because of his reputation, Okabayashi has a lot more under his belt, and from the way he carries himself through the first half of this match, it’s clearly no longer a learning experience or him being a sparring partner. This is a spot he can see himself in, that he wants, and that he’s come here to take.

The match itself is the sort of singles Strong BJ Epic that people in this division have been trying to have for the last eight years and counting. Not that it hasn’t been topped (primarily in 2015, but also Okabayashi/Nomura in 2019), but that this is sort of an idealized version of the thing.

The match and the style itself thrives on a simplicity of offense, with meaning behind the results, ideally with meaning behind the little movements within the match too. Okabayashi stakes his claim early on by being a little aggressive that this is a thing he wants. Subtext is made into text. He’s not mean about it and he never rushes Sekimoto or anything, but he’s taking shots off of breaks, he’s firing up, all of that. Most importantly is that he does not give Daisuke Sekimoto anything. This is his creator, his mentor, his partner, all of that, but any inch Sekimoto gains in this match is one he fought for.

Of course, he is much better at gaining ground here than Okabayashi. He can’t bully him, but he does drag him down and grind him down a little with a basic sort of power based ground game. Nothing all that exceptional, but it’s all good looking, it all makes sense, and it’s all based around the central idea of this match, that Okabayashi is not yet quite as powerful as Sekimoto, but that he is more of a danger to him than ever before. Every hold Sekimoto goes for is held onto very tenuously, and he eventually cannot hold the youth down any longer. Okabayashi has a great show on offense, and he knows Sekimoto well enough not simply to avoid or counter at key moments, but to let him nearly exhaust himself before he does. Sekimoto tends to wrap matches up with some sequence of a Brainbuster, Lariat, and the Deadlift German Suplex Hold. Once he’s hit the first two, Okabayashi then counters the third, and he starts to unload himself. It’s the sort of smart but not flashy approach to this that I have a lot of respect for, the kind of thing that rewards you for paying attention, but without ever shouting “LOOK AT THIS THING FROM BEFORE”.

Okabayashi crowds him in kind, but the Golem Splash is not enough now. With his own repertoire exhausted, Sekimoto has a chance when Okabayashi is totally thrown off. It’s a classic turn of the decade Ace move, also employed by Tanahashi and HARASHIMA in a slightly less meatheaded sort of a match. Okabayashi allows Dice K the openings, and while roll up and cradle attempts obviously don’t get it done, it does buy Sekimoto the time and space to recover enough to hit that Deadlift German out of nowhere, and he narrowly hangs onto whatever he has over the creature he raised from the mud four years prior.

Not a perfect match, but one that people working this style should really take a look at. It’s based entirely around a central theme, it wastes no time whatsoever, and accomplishes a lot for Okabayashi in these small little ways while still being dumb as hell in all of the best ways. Everyone comes out of this looking better, and it’s a net win for the style itself, because they deliver the sort of slow advancement people always praise 90s All Japan for, while still delivering something delightfully stupid and bullheaded.

Anyone who was silly enough to praise something like Big Mike vs. Sekimoto from 2019 needs to get their eyes on this and see how this sort of thing is supposed to be done, and how good this all was at its peak.

***1/2