This was for Page’s AEW World Title.
After spending his first match doing the work that both AEW and Kenny Omega failed to do for over two years in trying to present Omega as a best in the world level guy, it is now Bryan Danielson’s job once again to make up for what the promotion itself hasn’t quite been able to do on its own, with his goal this time being the creation of Adam Page as a main event entity.
If you’re reading this, I imagine you know that this goes to a one hour time limit draw.
That idea is nothing new for Bryan Danielson.
As many people know — especially many more annoying types acting as if Bryan’s been retired since 2014 or something — Bryan Danielson is no stranger to long matches. In part, Bryan Danielson made his name on longer matches. The Paul London match, multiple Samoa Joe ROH World Title matches, the seventy six minute clash against Austin Aries, a number of his ROH World Title matches, the list can go on. Some call him the greatest long match wrestler of all time, and while I don’t totally believe that, it’s something he has more practice with than just about anyone currently active in pro wrestling (count the others, you might not make it to one full hand).
I’m not quite going to say that this is better than every single one of those matches.
However, this is easily the best ever Bryan Danielson performance in a long match that there’s ever been.
Genuinely, a tour de force from the greatest professional wrestler of all time, not only putting on a more natural and convincing heel act than in those heralded mid 2000s matches (all the credit in the world to Bryan mechanically in those days, but the heel act in his ROH Title run often felt like a “look, I’m working heel!” bit, totally lacking in sincerity unless a next-level babyface like a Homicide or Nigel McGuinness in England was against him), but displaying a greater mastery of how to work matches like these against wrestlers like Page. Even when Bryan is called upon late in the match to have a hurt limb also as a heel, he manages to do what he couldn’t back in the day, and he sells it convincingly while never veering off into seeming sympathetic at all. It’s the performance of a man no longer needing to show he’s a Great Wrestler, instead radiating that out through such convincing and airtight work.
The things that have always been great about long Bryan matches are still great here. There’s a classic Bryan Danielson shell game approach to this, beginning by trying to take Page’s wind away with a lot of stomach and midsection work, before catching him slipping and going to the cut that presents itself and working on the arm. There’s also a stronger sense of character and story to this while presenting those familiar ideas, with them having a month’s worth of TV to set up Bryan not respecting Page an opponent and behaving the way he does as a result. Not that Bryan, being the greatest of all time, couldn’t get you to understand that immediately within the early stages of a match had they not had that, but it’s nice to have something like that with a little more flesh around it.
In general, the match is classic Bryan Danielson, only now performed with more confidence, more institutional support, and a more genuine feeling to it all.
The highlight of the entire match for Bryan isn’t working the ribs or working the cut. It’s not his bumping or the way he sets up Hanger for huge pops when he can do things like chop him or eventually hit the Buckshot Lariat.
It’s in the middle of a commercial break, when Page is being checked on by doctors for his cut, and Bryan Danielson has the time of his life with the crowd.
Jumping jacks and push ups at first to antagonize, before then playing with the reactions he draws and the smaller interactions with crowd members as a whole. Teasing the “YES” motion, only to stop short and give the finger in one of the greatest displays of a heel being withholding in wrestling history. My absolute favorite part was that eliciting a “FUCK YOU” chant, not rythmic in nature or anything and what feels like a genuine outpouring of anger, only for Bryan to pick up the speed on his jumping jacks to be in tune with the chant itself, only making it louder and more hostile.
Bryan Danielson is incredible here. A one of one performance in 2021, made all the more impressive by who he’s wrestling.
A friend of mine — someone whose fandom has largely fallen off since the mid 2010s, but who watched this and the big Bryan in AEW matches on hype alone — talked to me about this match a few hours after it happened, and said that it was like the old Bryan vs. Tyler Black matches, except if Tyler Black had a more human and welcoming and likeable sort of presence to them.
That probably isn’t totally fair to Adam Page, who is a good wrestler in the way Tyler wasn’t at that point (and if Page is a 1:1 of anyone, it feels more like what would happen if DDP never had the Diamond Cutter, but still improved like he did), but it’s not wrong.
His selling of the arm is far from bad or non-existent, but something about it doesn’t seem totally right. His cut’s insistence on closing up after a few minutes isn’t necessarily his fault, but it’s a weakness of the match that springs forth (or rather, that fails to) from his body and not Bryan’s. In general too, Hanger has the issue he always does, which is that he still doesn’t feel like a fully complete wrestler. A fun gimmick and good presence, but moreso a collection of pieces of offense. The sort of a guy who, as a wrestler, you describe through an expression of what moves he does more so than how he does them.
All the same, he has a certain quality to him that makes this fairly easy on Bryan, and makes something like this far more likely to succeed.
What works here from Page is less the offense and more the selling, carried forward less by anything he did mechanically, and moreso because everyone wanted to see him succeed. Like so many of the handpicked AEW acts, he doesn’t succeed because of technical brilliance or any one thing you can really point to mechanically (the least likeable babyface of them, Darby Allin, is naturally the exception here), but because there’s just something ABOUT HIM that works.
I want to see Adam Page win and succeed.
Every thing that happens in this match only solidifies that further. At no point here is Bryan Danielson admirable or cool, he never does anything I find myself wanting to applaud, and that’s in spite of him being the greatest of all time and one of my all-time favorites. People always used to talk up ROH Title run Bryan as “Flair-esque”, which never felt right, but in a recurring theme of that stuff vs. this match, it feels completely correct here. Completely convincing as the canon greatest wrestler of all time and best in the world, taking someone with a certain something, and gifting them something that packs as much of a punch as this does.
By the time Page finally reels off the Buckshot Lariat in the final minutes, after seeing it built up all match, something’s shifted. Nobody is ever wholly made as a top guy in one match, but at least in the arena and in this moment, Page comes a lot closer to feeling like one than he did an hour earlier.
Of course, it’s not a perfect match.
Hangman’s cut closes up and we’ll see in early 2022 how much more a real gusher can add to a classical title match like this. Some of the choices they make about placement aren’t ideal, and things like a big DVD nearfall feel like they happen too early, or something like a DDT on the concrete floor is reduced to being little more than another move when it should be a pretty big deal. Late in the match, when Bryan sells his hurt knee and Page his hurt arm, and they both sell after throwing kicks and clotheslines, it feels just a little over the top. Look at us, we’re selling, that sort of a thing. The way the match is constructed also, the majority of the pieces of this that feel necessary (Bryan’s shell game, blood, character work) come in at the start, with most of the less-than-necessary bits coming in the end, once everyone has largely figured out where this is going. There’s an energy lost somewhere around Bryan hurting his leg and Page’s table crash, which isn’t ever totally recaptured.
As with virtually every sixty minute draw, there comes a point when they have run out of things to do. I’ve yet to watch a single hour in wrestling where I thought to myself, “yes, all of that needed to happen”. Even the best ones. This is a match with forty to forty five minutes of great and near-essential work, and that’s pretty impressive. It’s also impressive that the stuff here that feels more like filler, like work on Bryan’s leg, works out as well as it does. Inessential, but never treated like it’s unimportant, and I think that’s an impressive distinction.
Flaws and all, it’s just such an incredible achievement.
An ultra-memorable piece of wrestling television, delivering one of the best matches of the year, but one that accomplishes something that feels real on top of that. Page is far stronger going out than he was coming in, the AEW World Title sees its first great match since Moxley/Kingston thirteen months prior, and Bryan Danielson puts the final stamp on one of the great comebacks ever.
Match of the Year is still just too strong given those flaws, but unquestionably in my mind, the home to the greatest performance in wrestling all year.