In this specific Rumble, unlike virtually every other Rumble ever, Trevor Lee’s CWF Mid Atlantic Heavyweight Title was on the line, in addition to him starting at #1.
What really works about this — rather than Lee acting as an overconfident champion and simply going wire to wire to prove a point — is that it happens through the orders of Golden Ticket holder Roy Wilkins, forcing Trevor into this spot.
It is not the 2016 CWF Rumble.
That match, I thought, was the best match of its kind anywhere in professional wrestling all decade.
A year prior, this match was immaculately constructed, and filled up with enough talent to carry the more ambitious booking sections of the match, while expertly utilizing its weirder and less experienced acts early on. The problem that this match has, especially in the early and middle sections, is that they cross over a line and now there are just too many inexperienced, weird, or novelty local nostalgia act wrestlers for this to truly be a great match. It is a balancing act with guys like that, and while a fifth or a sixth of the field being made up of guys like that is alright, a third or nearly half of the field being essentially warm bodies is not.
What works for this though is that it is a one man show done by one of, I don’t know, the ten to twenty best wrestlers in the entire world.
Relative to that sort of a thing in other Rumbles, it is not 1992 and it is not 2004, but it is a truly spectacular Trevor Lee performance, and especially in the last quarter or so of this thing, an outstanding story that CWF Mid-Atlantic crafts around him.
Trevor Lee going from wire to wire is a lovely story and one that CWF gets as much out of as possible, given how few really believable other winners this match has to offer up (count them on one hand, you’ll have enough fingers left over to carry the groceries into the house). Ric Converse is great at the start against him before the match loses its way, Nick Richards is a fun oddity once again, and in the last third, they unload all they’ve got with guys like Arik Royal, Chet Sterling, Roy Wilkins, Brad Attitude, and Cain Justice. Trevor Lee is especially great throughout, not only hitting all the old Rumble iron man bits by hanging on the ropes and putting on an exhaustion selling clinic, but also innovating in fun new ways, such as catching his feet on the ring frame underneath the apron.
The real genius of the thing comes once all thirty are in, with one of the great booking swerves of the year and decade. Roy Wilkins, using the Golden Ticket to come in at #30, have his stablemates all come in in the last five, and making Trevor Lee start at #1, enters with the brass knuckles around his hand, only for Lee to duck and immediately throw him out. It’s not only a beautiful piece of comeuppance for maybe CWF’s single most despicable antagonist, but a lovely piece of smaller scale booking that throws the rest of the match into doubt by removing what felt like the match’s natural final boss.
Wilkins knocks Trevor out and busts him open (although not as much as anyone would hope for) with brass knuckles right after, and the match again does as good of a job as it possibly could at creating doubt.
Following a Brad Attitude and Chet Sterling skirmish once the final four hits, young shit kicker Cain Justice is left against Trevor Lee, and it turns into this kind of match unto itself, one of CWF’s most compelling of the year. Justice still has so much to learn but between Trevor Lee’s exhaustion and the damage of the brass knuckles, there’s that all-powerful “well, maybe” thrown in there that makes every near elimination just that much more believable. Doubly so when Cain begins to zero in on Trevor Lee’s left arm, adapting his strengths to the match in a way that makes it all the more believable, even if, deep down, we know what’s really going to happen.
Trevor stomps him down onto the apron and off, falling off a second after Cain Justice, to get again keep a hold on the title. It’s not quite as impressive a feat as it ought to feel like as a result of a weaker field, but the king does stay the king, and it’s still somewhere among the year’s more impressive performances.
If decidedly not a great match, another outstanding feat of booking from CWF Mid Atlantic, and yet another unbelievable performance out of Trevor Lee.