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This was a #1 Contenders Match.
More importantly, it’s yet another match between the ultimate forces of good and of evil as it pertains to professional wrestling.
To explain, for anyone not totally familiar with all of my psychoses — I love Toshiaki Kawada and I despise Keiji Mutoh.
I love Kawada for a lot of reasons. Gun to my head, he’s a guy I’d consider the second or third best wrestler of all time. I like him on a gut level because he’s the all time great tragic figure in wrestling, even moreso than a Bret Hart or an Eddie Kingston or a CM Punk or whoever else might spring to mind. Beyond just living in Misawa’s shadow and being a normal human being in a promotion full of people with gifts bestowed upon them from on high (magic elbow, being strong, being tall), by this point, he’s also become the last bastion of something, a holdout trying to preserve something he loved once. There are few easier wrestlers to support ever than Toshiaki Kawada, particularly in the first half of the 2000s. I love him, he is one of the most endearing wrestlers to me of all time, every decision and reaction he makes feels not only correct but like the most real shit imaginable. The thing old wrestlers always used to say on shoot interviews was that you can’t make the audience think every single thing is real, but that you can have your own work inspire that feeling in them. “This all might not be fake, but this guy is real”, or something to that extent. Believe in this one part of the show, this one wrestler, if nothing else. That’s all the best wrestlers ever, but that’s also Kawada. Everything seems correct — mechanically, emotionally, ideologically, spiritually — and nothing is phony.
On the other side of that, we have Keiji Mutoh, who I absolutely despise watching.
At his root, Keiji Mutoh is someone who is remarkably lazy and always present. A consummate politician, extending his career for decades after his far more skilled contemporaries through superior machinations, despite possessing none of the skill nor charm of any of them. Hating Keiji Mutoh at this point isn’t just about how he wasn’t as good as Hashimoto in the 1990s or as Kawada in the 2000s, it’s not about his bad “one last run” title reigns, thirteen years apart, it’s also about him as this symbol of how unfair and cruel things are (outside of Jun Akiyama, to be fair). Hashimoto died in 2005, still one of the best wrestlers alive. Misawa died in 2009, not really on that level anymore, but still better than Mutoh’s been for a long time. Kawada wrestled his last match in 2010. Taue in 2013. And yet, in 2021, Keiji Mutoh main evented major shows and won major titles. Usually, I’m all for this sort of a story, but Mutoh even removes all of the joy from one of the easier stories to tell in all of wrestling. There is a certain ironic fanbase for Mutoh’s nonsense (I choose to believe it’s irony, as I am an exceedingly positive person and don’t want to think the worst of many of you, although it may simply be horrible taste), and usually I’m all about taking joy in some very bad wrestling that steals a lot of money and makes everything worse. THE FIEND is hilarious to me, all of that, except Mutoh being the subject of that has a way of removing even the minor petty joy that I can take from that.
Mutoh is a wrestler whose every decision feels incorrect, and often times bafflingly wrong. As opposed to Kawada’s unflinching commitment to doing the realist things possible at any moment, his opposition here is one of the great phonies of all time. A refusal to bump at times that rivals any funny story about the Honky Tonk Man working the indies. Loose offense, horrible striking. I’m very much the sort of person who values physicality in wrestling (why aren’t you? it’s simulated combat, why wouldn’t it be physical?), but effort and skill in other areas can overcome that. This is also an area where Mutoh comes up short. Lazy matwork in the early stages that not only rarely leads to anything, but is rarely good in any way. A lot of lying around. It’s the sort of work that really makes one appreciate people who work a similar sort of style, but put far greater effort Watching Keiji Mutoh just lie on top of a guy for a while and occasionally grab an arm or a super limp waist or headlock is one of the more joyless experiences in wrestling, best expressed through altering one of my favorite quotes about a fraud in real sports.
Keiji Mutoh trick y’all, man, like he doing matwork. He just rolling around, doing nothing.
– Russell Westbrook
Mutoh isn’t a great striker, he’s not great on the mat, and it’s not as if he has some gift for construction or mechanics either. There’s no hidden little thing about him. There really isn’t anything he brings to a match. I’ve never understood what people enjoy about him, even in a nostalgic sense in the present day. There’s a certain presence and charisma to be sure, but no more than any other major star of the era. It’s certainly not the sort of thing one sees in this match. Given Kawada’s expressiveness in this match, Mutoh can’t even lay claim to bringing that aspect of wrestling to a match like this, as Kawada has him beat there as well.
He is a burden to carry moreso than he is an artistic partner, and so Kawada once again must do all of the heavy lifting on his own.
The match goes as one expects.
Kawada has his knee worked on and Mutoh cycles through the same two or three things when attacking it, with very little sense of urgency or progression. They flip a switch and do moves to each other and that’s it. The weaknesses of Mutoh’s style all hinder the match, as it’s Kawada working a Mutoh match and not the other way around. The worst thing about it is probably the framing, giving them a face/face match for the first time, instead of their two more famous matches which at least frame Mutoh as what he is, this no-good carpetbagger trying to steal Kawada’s land. Weaknesses still being there, it’s a match without any real strong narrative attached to it, simply existing as plain old Kawada and Mutoh.
Left entirely to their own devices, it is what it is and what it isn’t is a great match.
It’s certainly not a bad one.
Kawada is exactly great enough to get them there. His knee selling is superb once again. His facials are magnificent, portraying both annoyance at Mutoh button-mashing his way through yet again and anger at his own body potentially failing him for the millionth time in the exact same way. His energy and raw aggression in the comeback carries it, and there’s certainly a satisfaction to be found in Kawada coming back and destroying Mutoh.
Unfortunately, it’s too much of a Mutoh match to be a great match.
Toshiaki Kawada does all he can, but his raw legitimacy and correctness runs into a brick wall by having to engage with something as phony as Mutoh. Him selling for Mutoh as an equal feels off, and even a Kawada knee work match falls short when it has to also pay tribute to this level of raw fraudulence. Keiji Mutoh is one of the all time thieves of joy in wrestling history, from beginning to end, and this may be his greatest work. Rendering a Kawada knee work segment dull and meaningless is something that’s seemed impossible for most of the previous fifteen years, but Mutoh does it. He makes it duller than ever, less vicious and violent than the sort of work his generational peers have done in the same position, and with everything that follows, also manages to render it meaningless. Again, Kawada’s knee selling is undeniably good, but he’s never quite able to get past the Mutoh-ism of it all.
Kawada overcomes in the end and wins with a Powerbomb, but in this match, the superhuman victory here belongs to Mutoh for managing to somehow miss on one of wrestling’s few seemingly absolute sure things.
I believe this was a match commissioned with good intentions. I’m not going to get on anyone for wanting me to suffer or picking a very uncomfortable match. These two had good to great matches in both 2001 and 2002, so it would be easy to imagine this one was of that same quality. It wasn’t, however, and in terms of all time shit wizard Keiji Mutoh finally bringing an all-time great down to his level, the third time was the charm.
I love writing about Toshiaki Kawada, but in the future, I would prefer to watch and write about Toshiaki Kawada in combat against good wrestlers instead.