(photo credit, as always with PWG photos, to Mark Nolan Photography)
Sometimes, I’m a little confused about what it is you, The Readers, either want or expect out of me. There are commission requests every now and then that baffle me, either leaving me wondering why someone thinks I would like this or a feeling right around the corner from that, wondering why you needed me to tell you something was bad. There’s a compliment implicit in that, I suppose, but that same feeling of confusion when grappling with what I want or what I feel, and what I have in my mind as someone else’s expectations of what I’m going to think about something.
I feel like a lot of you either want or expect me to hate this, and I get it.
Really, I do.
Within the pantheon of every match to get a Meltzer five boy before this and all the better matches that didn’t — specifically all of the many PWG matches like this over the last half decade plus that failed to garner the same accolades because one old bitch couldn’t get his ass in the building during the actual peak of the company — it’s something of a curiosity. A real outlier. It’s easy to get worked up about this match because of the rating it received and the acclaim that goes with a thing like that, especially if one was a longer term fan of all of these guys. With the Bucks especially, it’s (or was) this sort of avatar for the turn they’ve taken in the last year or more, focusing more on schtick and the sort of mindless displays people always accused them of without actually watching, in a slow departure from their 2011-2014 peak.
Beyond the critical reception, it is a match that seems to dare people to hate it at points. Unashamedly nutty, as if they realized the potential for absolute nonsense that existed here, and turning the dial up to 22. It is an ambitious match, if not in the way that we often think of ambition, and not all of it works. There are some really really ridiculous choices made and then there’s something like Ricochet taking a full on backflip on the head bump off a simple upkick counter to a spot where he ducks his head too early after sending Adam Cole into the ropes. It’s a silly and ridiculous match in almost every way possible, and being yet another match where Cole and mainly the Bucks somehow get applauded for being the most annoying people in the entire world is a dizzying sort of a thing, Reseda having fully become this vile heel crowd right at the same time as PWG’s largely lost whatever heart that it had left, as the results of the tournament around this show.
It’s an easy match to get mad at, for any number of reasons.
And yet it also kind of just fucking rules.
While it is a gleeful sort of a nonsense, presenting the wildest stuff in the world as proudly as possible, there’s also a real structure and flow here that I didn’t remember so much of at the time. A lot of that’s schtick from the bad guys, but it doesn’t go on forever like a lot of their other schtick work does, and there’s a real motor to them otherwise. In 2016 especially, it is easy to see when Cole and the Bucks really give a shit, and this is the most they seem to have really given a shit all year. Even if it’s not quite on the level of the original run 2013-2014 Mount Rushmore stuff, it’s so much more than they’ve been doing. It’s not the most complex thing in the world, annoying shitheels getting overconfident and getting owned, but there’s a joy to it that — when it happens in a match like this, that escalates right, that never does anything TOO stupid, and that obeys some basic rules of construction — I find just charming enough to work.
It helps as well that this match always obeys the central conceit and core logic of a match like this.
This match is about fireworks. It’s about the early explosions, trying to limit the flow and stem the tide of more explosive offense, and eventually not being able to. It’s about real shitters trying to hang in a match like that down the stretch, only to be both slowly overwhelmed in a longer term sense and then quickly shut down entirely in a few key moments. Most importantly, it’s a match about cool offense in which the coolest offense in the entire match ends the match, and that is so important. There’s no awkward interruption in that process, no highlight that comes too early and that nothing else can top, just a smooth process leading to the brightest light and the loudest sound that had in the arsenal.
Ospreay intercepts a Cutler Driver with a springboard cutter from the other side, in a spot not seen in close to a decade since the Briscoes, setting up a SSP version of the Meltzer Driver, before a Shooting Star Press in stereo plus one ends the match. A perfect little flurry, sure to both make the sorts of people who would never like this at all absolutely frothing mad and make everyone else shriek in delight at at least one of those spots (I got to two, the SSP Meltzer Driver is a bad one), and a perfect ending for a sort of match designed with those two goals in mind.
Wildly overrated at the time, a deeply annoying piece of Disc Horse for a while there, but I cannot deny its brighter moments, and much like the Bucks’ success rate with double teams, this is like 85% brighter moments. In the wake of the many many worse matches like this that lack both its structure and its charm only to be even more widely revered, I can’t help but look back a little more fondly on this as the years go by.
Quaint, in its own way.