This was for the Bucks’ IWGP Junior Tag Team Titles.
In classic New Japan fashion, this is the Big One. The match that it feels like all of their matches in 2017 have been building towards, and that they’ve probably bookmarked at least since those initial matches in 2015 when just about everyone who laid eyes on them agreed that these teams had a whole lot of chemistry. As always, the classic estimation and the classic pro wrestling booking philosophy proves correct. Find a pairing that works entirely on its own, cool it off for a little bit, and then come back with some real material to help them out. Give them a story like 2017’s, a few matches to build some themes up, and throw the Big One out there. It works, it works for the millionth time, and provided the talent and story and feeling is there, this is the sort of thing that will probably always work.
Naturally, there are some issues here. A Young Bucks match is probably never going to be what I’d consider perfect.
There’s a few too many kickouts, and I specifically mean kickouts, not nearfalls. People kick out of some stuff that shouldn’t be kicked out of, forgetting that the utility of the save in a tag team match is to allow for big awesome moves like a Piledriver on the apron or the Inverted More Bang For Your Buck or the Strong Zero without having to hurt the move or the match’s credibility by having anyone survive that under their own power. The finish is also not THE BEST, as they go to the Sharpshooter bit after a Meltzer Driver in the ring, only without Romero having a hurt back now, so it’s simply a lesser move following up a gigantic one and doesn’t make half as much narrative sense as it did the month before.
Really though, the largest one is simply a matter of setting. While the Bucks wrestle this match correctly for the most part, leaning into how naturally unlikeable they are and working as the shit-eating goons they are in New Japan rather than totally embracing the stomach churning heroics of their other U.S. work, it is still a match wrestled in front of an American crowd that loves them. The Bucks never totally embrace that, unlike in ROH or PWG, this would be a much worse match than it is, but it’s still odd, and it leads to odder reactions, and a very strange feeling, a different flavor of that disconcerting feeling at seeing the widespread embrace of The Elite act on their spring ’17 European tour, or something similar.
It’s still very much a match about injuries to the opponents and the underdog story of Rocky Romero, but it’s reacted to in the building as if this is a pure face vs. face contest. It’s a kind of willful ignorance not only of the stories told in the promotion they’ve paid to see, but of the reality taking place in front of their eyes. It’s one thing in PWG or ROH when the Bucks play into this, but it’s a hundred times more bizarre when they do nearly everything right, save a few big kickouts, and the crowd simply refuses to do what, to me and most people with good brains, seems like the clear and obvious right thing.
Beyond the moral rot of these California sickos though, the match is as good as it possibly can be.
What works before between these two works once again here, only now there’s significantly more of it and it gets to be significantly bigger.
Speaking in a mechanical sense and talking about the construction of the thing itself, that goes for every part of the match. The “more” here is distributed pretty evenly across the terrain of the match. More means a longer shine for the challengers at the start, a longer control segment, a longer finishing run. The “bigger” part is something they make so much out of, not only going at it in the dumb fun way, doing the biggest spots that they possibly can when given the time and stage to make the most of them, but also leaning on the history of this match up recently to create moments in the match that feel bigger, independent of the level of fireworks that the match puts forward, such as Rocky’s last stand or Trent continuing to level up.
In terms of the story told, it’s their biggest effort yet too, using the larger platform to tell a more grandiose version of the story told in the last two matches, bringing this to a pretty satisfying conclusion, if not the best possible one.
The Bucks do what they always do at the start, and try to go after Rocky. They’re a little too obvious and/or confident about it now though, and with their hand on full display, Trent helps out and it doesn’t work. They still have to earn their control, but this time, they take the story to its logical conclusion. Rather than hurting Trent slightly and working Rocky over to take out the weak link, or focusing entirely on Rocky to cut out the middle man, they instead focus entirely on Trent’s back. His hot tag falls short because of it, and it’s now Rocky who has to save the day not only late in the match, but for the entire back half, again taking the familiar match up in a fun new direction.
Not only is it a newer approach to the match, but in the Big One here, they have more time with which to work on it and have the room to get a lot more brutal with it. On an individual performance level, Trent’s selling is genuinely stellar, far beyond what I thought he had in him, working both in a mechanical and emotional sense. Everything he does to express the pain is good, but he’s also SO likeable while he’s doing it. It’s a really great performance that ticks off almost every box I’d want a singles babyface to be able to tick off, on top of how well it serves the story of the match, and also the story coming out of it. The Rocky underdog story of the match was something, but with Trent’s incoming move to heavyweight, this match is so great at making Trent’s growth feel like such a big deal, not only fighting through this, but nearly pulling it off, and never actually losing the match.
The fireworks show eventually begins, and it is a spectacular one. Both in terms of what they’re doing, but in classic Bucks in California fashion, in terms of how well it’s laid out. It’s not totally seamless, but things generally build and move from thing to thing really well, and the escalation is just about perfect. Teases and cut offs, different and bigger versions of the moves we see all the time.
Most notably, in the later stages, the Bucks level up the Meltzer Driver into a La Escalera version, the HERB MELTZER DRIVER, and as the biggest possible spot, the match effectively ends there.
Romero is done inside the ring, and although Trent again tries to defend him, he no longer can. It’s a beautiful end to this nearly year long story about Rocky Romero being the weak link, coming full circle to Romero having now wrestled his heart out, but the Bucks having wrestled a perfect match, and so it didn’t work, only for Trent to stand up for him anyways. The transition from the Wrestle Kingdom match showing it wasn’t just Trent’s team when they seemed on the verge of a split to, in the final match of the 2017 trilogy, showing that Romero was the weaker link, but the emphasis was on the “-er” there, and that Trent stood up for him when he counted anyways, which is a heartwarming ending to a team that was initially founded on the back of Trent being a bad friend to somebody else. A real gross double superkick to the back takes our hero out, and the Meltzer Driver into the Sharpshooter wins again.
It’s the best regular Young Bucks tag in a few years, and at a time when it looked like the old machine might not ever work like it did in its prime, the mechanics having forgotten exactly how to run it. A phenomenal show of what is still there and what can still be achieved when most other environmental factors were right, and looking into an arguable career year for the Bucks in 2018, a show of how this can work again moving forward, with these gigantic feeling Bucks matches combining big themes and these sorts of unbelievable fireworks displays.
***1/2