This was for Takagi’s Open the Dream Gate Title.
Right off the bat, so it doesn’t become the entire thing, the booking here sucks. It is, outside of like the 2015 Royal Rumble, maybe my least favorite booking decision anywhere in wrestling all decade.
It’s classic bullshit Dragon Gate booking. Looking at the sign pinned to the whiteboard in a writer’s room, and in Dragon Gate’s case, the sign always asks how any story benefits YAMATO. In a story that, originally, had absolutely nothing to do with YAMATO at all — a years long story about Takagi being betrayed, growing dissatisfied with Monster Express’ lack of toughness, and then turning on them and going on the rampage it felt like he had been overdue for half a decade for — the beneficiary of a great Dragon Gate story, once again, winds up being YAMATO.
YAMATO is not without his virtues. He is a good wrestler and really exceptional as a heel. Go read the things I wrote about him from 2013 through 2015 as a heel. Dragon Gate had especially struck gold with the YAMADoi team, the sort of perfect heel team that you can build a division around for like half a decade. I think he sucks shit as a babyface. He’s not likeable, he’s not all that energetic, there is nothing about him innately or through his performances in the role that inspires anything within me watching him. He feels like a fraud when the story asks him to be that sort of a figure, and the most genuine character in the world when cast as the antagonist. Some people are just like that, he’s one, and so it’s quite unfortunate that he’s back in the role he’s far worse at. This is less about YAMATO as a wrestler and more about YAMATO returning to this role. Not only returning to this role, but being in THIS spot and getting to do THIS thing in a role that he is, objectively, not as good in.
The real shame of this is also not that Shingo Takagi lost the title, but that he lost it here and to YAMATO. I don’t know many people who aren’t just wholly in the tank for the company who would disagree with that. Even if, for whatever reason, they like YAMATO as a babyface, I think most sane people would agree that the ending of this reign belonged to one man, and that was Akira Tozawa.
Shingo turned heel eleven months prior as a reaction to a perceived lack of toughness within Monster Express, resulting in this all-time emotional moment with Tozawa finally standing up to him. It was so obvious, the sort of perfect booking you imagine wrestling companies plan years in advance to try and create, so much so that one would naturally assume it was always the plan, leading to what could have been the best moment in Dragon Gate history, Tozawa not only finally winning the big one, but standing up to big brother and stopping a yearlong bully rampage in the process. You never want to get too into the fantasy booking your traitorous mind comes up with, but when virtually everyone came up with some variation of the same thing, I don’t think it’s just an individual issue, my brain plotting ways to make me enjoy wrestling less for stupid reasons, as it often does. Even Dragon Gate could not fuck this up, one would naturally think. It was too perfect.
Perhaps that was the problem.
Ultimately, I was a god damned moron, an absolute rube, for forgetting Dragon Gate’s one overriding guideline, and if you were like me, you also deserved to sit with me at the back of the class, sitting in a corner, facing a corner, and wearing the dunce cap while the rest of the class throws coins at us.
It is the end of something, the end of the last five or six years of Dragon Gate being one of the best and most interesting promotions in the world, really from the time the YAMATO/Yoshino Kobe World 2010 build began up through this, and the decline that begins after this. Not immediately, but years later, I think we can collectively point to this show as the high point of a wave, or at least the last high point before it crested and dropped.
That’s not just because of this decision, of course. YAMATO is a bad babyface and the next year plus of him as the babyface Ace and champion would prove that, but it has as much to do with Shingo never really getting to go on another run like this or being used to his abilities again until he left two years later, it has as much to do with Yoshino starting to finally rack up the injuries he’d avoided for fifteen years, and especially with Akira Tozawa leaving, rightfully realizing that if he’s not going to go anywhere and just spin his wheels forever, he could at least be paid way more, have to work far less hard, and get to hang out with his friends in Florida. (That last bit may have also motivated this decision, but it was one earned through years and years of misusing Tozawa following his red-hot return in 2011. even then, he wouldn’t leave for another three months, and they still should have at least done the match at some point either before now or with the time left. Shingo got a few week title run in 2013, zero excuse not to do the same for Tozawa also, if we’re going into hypotheticals, which duh, we are.)
We’ll get an epilogue for that era — the formal end of the Big Six — later in the year, but this feels like the conclusion.
This match has always felt like the end of something more than just Takagi’s reign, and it’s always occupied a strange space in my head because of that. A conclusion of things both micro and macro, all of which I have some obviously very mixed feelings about. It’s a period at the end of a sentence, which is itself the end of a story of the last half-decade plus. Dragon Gate’s ultimate choice one way or the other, and one with repercussions that were felt for years to come.
I wanted to get that all out of the way first, and that’s because this match is still just so exceptional.
Genuinely a really really really great match, one of the best Dragon Gate singles matches ever, the best Dream Gate match in years, and the best Kobe World main event ever by a margin that is almost comical. It’s not to say every single Kobe World main is bad or anything, there have been great ones before this and will be great ones after this, but none of them exist on the level that this does.
It’s a special match.
Largely, that praise goes to Shingo Takagi.
The man’s had a long and great enough career that I don’t know that you can point to any one big performance and go “that one, that’s the best Shingo Takagi performance ever”. I have a shortlist, I think. The Kobe World matches in 2010 and 2011, the Yoshino title match last year and its post-match, but this is up there.
YAMATO’s good here too. Again, we have to be fair. He falls short in a lot of ways, not being a likeable guy or a good babyface — and certainly, had a greater protagonist been opposite Takagi in this match, the superlatives I heaped upon this could have been even greater — but he delivers in every other way. Great offense, good striking, and certainly intense, if not being able to really translate that into likeability. My issues with YAMATO here are the sorts of things he can’t really change, and it almost seems unfair, but they’re there and they’re a part of like this just like they’re a part of everything he does while in a role that, despite his many talents, he is not quite suited for. It’s a casting problem, but in a miscast role, YAMATO still does as great of a job as he could.
Shingo Takagi makes this match though.
If you want to say YAMATO establishes the baseline of this thing as good to great at minimum, it’s Takagi who puts it on his back and takes it beyond that. It’s one of the best performances in company history, accomplishing so much in one match. He’s not only once again one of the best heels in company history, managing to be both domineering and withholding all at once, saving the big offense for late in the match and paring his own stuff down in the control segment to emphasize how mean-spirited he is as a character. Beyond that, he also once again delivers one of the great selling performances in Dragon Gate history, and by the end, delivers this all-around performance that’s so captivating that he winds up being the more dynamic and sympathetic figure in a match meant to accomplish the opposite.
Given how offensive I find this match in an ideological sense, Takagi’s performance here winds up being one of the more admirable performances in Dragon Gate history as a result.
The only real issue with it — and this is not an insignificant one — is that it is still a Dream Gate length match at thirty five minutes.
Even then, that does not lead to disaster in the way that it would in the hands of lesser wrestlers. With more time to fill, it just means there are sections the match can do without, never anything blatantly insulting or entirely useless. Things are expanded upon longer than they need to be, but they are all things the match treats as important. That’s where this match really succeeds, because it’s through the performance of Shingo Takagi that such a thing is really achieved.
YAMATO fill space early on by going after Takagi’s arm, and once again in Kobe World, it’s Takagi’s response to that that elevates a match.
Simply put, Takagi never forgets it. YAMATO goes back to it here and there, it’s the fulcrum upon which his eventual comeback turns, and it helps him out late in the match when he’s able to largely remove it from Shingo’s offense in the closing moments to really open him up, but lesser wrestlers would take to the inactivity on it through the middle of this match as a green light to forget it and move on. Simple and careful transition selling might even result in this still being a great match. Takagi goes further than that though, always rolling the arm out or struggling with little lifts (and later with larger ones), and once again doing the thing where he tries to use the other, only to not have anywhere near the same effectiveness. It’s not only the attention to detail, but the process which Takagi goes through in matches like this that makes his version of them so much better than almost everyone else’s.
It’s a tact that Takagi has shown before, famously in the 2011 Kobe World midcard match against Akira Tozawa, but also in a few matches against Akira Tozawa. Even still, I don’t know that he’s ever used it more dramatically or effectively than he does here. He goes to try and use the left for his big pieces of offense at the end, only now with a greater desperation than before. In the past, and even earlier on, Takagi had used the left with a kind of workmanlike stoicism, an attempt that didn’t work, before returning to what did, even if it hurt him. When Takagi goes it here, there’s a panic to it. The ability to use the right is removed, and instead of this being a sensible thing to test out like before, there’s a feeling when Shingo goes to the left at the end that this is just all that he has left.
There’s enough personality to it and Takagi’s back half performance as he gets broken down and suffers under the weight of the bad luck that privileged ass YAMATO never experiences that, even in a match designed to coronate someone as Dragon Gate’s top babyface, it’s once again Takagi who comes off as the far more interesting and compelling option. He’s not quite sympathetic, he’s still an absolute menace in control in the middle of this thing, but there’s a humanity to him that the other side of this match is totally lacking.
Cruelly, Dragon Gate’s most offensive booking decision comes all the same after YAMATO’s second or third Galleria, but only comes at the end of one of the greatest singles matches in company history. One of the more confusing feelings in recent memory, one of the best matches of the year making a bad call go down a little smoother, but a bad call and DG’s institutional controls still kind of tempering something this great. It’s the ultimate Dragon Gate thing, a match this great coming with such a “yeah, but what if…” to it, and then that some regret still being paired with a match of this magnitude.
That’s Dragon Gate.
I can never love it to the extent that my heart wants to and I can never quite hate it to the extent that my brain always seems to argue that I ought to either.
We will always be in conflict.
As a match, it’s the most fitting possible end for Dragon Gate’s peak, both illustrating how great it could be, and then why it ultimately ended. It’s not a story with a happy ending, but what a phenomenal story it was.
***1/2