Commissions continue again, this one coming from Ko-fi contributor Hootsoot (riot). You can be like them and pay me to write about all different types of stuff. People tend to choose wrestling matches, but very little is entirely off the table, so long as I haven’t written about it before (and please, come prepared with a date or show name or something if it isn’t obvious). You can commission a piece of writing of your choosing by heading on over to www.ko-fi.com/elhijodelsimon. The current rate is $5/match or thing or $10 for anything over an hour, and if you have some aim that cannot be figured out through simple multiplication or other processes, feel free to hit the DMs on Twitter or Ko-fi.
This was a Mexican Death Match.
Not that I wasn’t delighted to receive this commission, but I’ve always been a little bit afraid to watch this match again with a critical eye.
When I first watched, I did so without any real preparation for how much I might love it.
I came to ECW at, I think, the perfect time in a man’s life to watch ECW. Having seen some things on those 2000-1 DVD releases but mostly unfamiliar otherwise, I began it all on a challenge from a few people I’ve known online for a while (one of whom runs his own forum-style review blog you might enjoy) when my WWE reviews had caught up to the current timeline at the end of 2012, and I began in 1995 in the spring of 2013. As a college student, I had very little in the way of responsibilities and pretty much mainlined it over the next twelve months or so, mostly over the summer. I don’t mean to get philosophical with this, but ECW ought to be consumed both (a) in a row, without cherry picking, more than maybe any promotion EVER & (b) when you are old enough to have experienced some shit and also still young enough to not yet be a full human being, ideally like 85% of the way through that process. Anyways, at that time online, I was able to avoid a lot of opinion on what the Actual Great ECW stuff was and mostly come to my own opinions and beliefs.
Most of what I loved and felt lined up with some common beliefs. Shane Douglas actually kind of ruled from 96-98, Sabu and The Sandman are some of the best ever, the FBI is one of the best acts in wrestling history, Foley, Raven, all of that. Not everything lined up, I hate RVD/Sabu vs. Hayabusa/Shinzaki and the RVD/Sabu 1996 feud is not for me, but as one learns at some point growing up, a whole lot of consensus favorites — especially with a promotion like this — are that way for a reason.
An exception to that — although not the only one (feel free to drop in the Ko-fi with an ECW Dealer’s Choice offer) — is this match. While I had heard about Corino/Tajiri or even the rightfully acclaimed FBI vs. Tajiri/Whipwreck tags later in 2000, as this proof of how great Tajiri could be, along with this series and the three ways in general, talk of this exact match was something I never came across before I saw it.
I’m so happy for this, because it allowed this match to totally and completely blow me away.
Since I watched this, I have become something of an evangelist for it. If I ever considered you a friend on the internet, I have either asked if you’ve seen this, pressured you to see it, or in some cases, simply assumed that you had seen it before. I have extensively praised it in more public forums. I am not suggesting that I am the reason this seems to be held in higher esteem now, I am not (quite) that egotistical. I imagine many people have gone on comparable journeys to my own and had similar experiences to my own, there were perhaps others like me before I happened upon my road to Damascus that I did not encounter at the time, but truly, it is such a thrill to see this talked up more and more as one of the greats.
Watching it again, over a decade later, I’m still pretty sure this is the best ECW match of all time.
I’m not as sure as I was ten years ago. I think the gap between this and Tajiri/Corino is slimmer than I used to. Matches like the Bigelow/RVD switch or Douglas/2 Cold are up there somewhere, for sure.
However, the feeling is still here.
Yoshihiro Tajiri and Super Crazy combine to create not only their best match together, but one of the more transcendent pieces of violence in the entire history of ECW.
This is one of those matches that, if I began to list every moment of it that I loved, I might spoil the entire thing for anyone who hasn’t seen it before (go watch it). There are three or four spots that, not having watched it in years, were exactly as I had remembered them, having stuck in my head all this time. The missed decapitation attempt chair slides on a table that careened into the crowd at full speed, god bless ECW. The two double stomps it takes to put Crazy through a table, where nobody has ever put more into double stomps than Tajiri in these moments. Tajiri mocking the bleeding only to suffer himself. Multiple super impressive and ultra high risk moonsaults. A million gross kicks, and most of all, one of the best finishes in all of wrestling history.
It’s more than just that though, what they do.
Yoshihiro Tajiri turns in the greatest villain performance of his entire career, and to match him, Super Crazy delivers what has to be his career performance period. His selling is phenomenal, managing to be both dramatic and genuine feeling. His comebacks, although never lacking for energy here at his peak, have an urgency to them that the blood loss only helps in a visual sense. Nothing he does, outside his offense, is spectacular, but in terms of small things that make a high flier that much more likeable in a match like this, Crazy in this match ought to be studied. For Tajiri, it is obvious and easier, but also even more impressive in terms of the small things. Displaying Super Crazy’s bloodied face to the camera, getting on hi knees and mocking a genuinely good wobbling sell, all of that. He’s also even better in more dominant moments, coming off as genuinely impossible to kill, and when he gets up, especially at the end, there’s this kind of “oh shit” feeling to it. Tajiri plays a dangerous maniac, Gogo Yubari style, better than almost anyone I have ever seen, managing to communicate both an unhinged nature as well as this sort of dignified larger than life stature towards the end, better than nearly everyone else ever.
The ending, as teased, is one of the best ever as well.
Not just in terms of a bad guy getting what he has coming — both in terms of punishment survived and given out as well as a complex plot costing him in the end — but also simply in terms of beautiful bullshit and construction.
Tajiri puts one table on the middle ropes in the corner while Crazy puts another regular style on the other side. Tajiri stands on his to spray mist in Crazy’s eyes but when he leaps off, their familiarity becomes as much of his enemy as his own schemes are. Super Crazy catches him in the air, spins, and in the same sudden motion, powerbombs him through the other table to win.
Something about saying “this is a match you HAVE to see” has always felt wrong to me. Everyone is on their own journey through wrestling (and through all media/art) and I never want to say you have to see something or else you’re a bad fan or something. I believe that, for the most part, if you are invested in these things, you will find them when you are ready for them.
Everyone is involved in their own process, and unless there is a greater trust, one ought not to get in the way of that. All things in due time, and all of that.
Having said that, there are very few matches that better communicate what it is that I want out of professional wrestling than this. It is bloody and violent, it is a story about good and evil and the mistakes evil makes that allows good to triumph. It is also sick as hell, full of some of the coolest spots ever, while also tight and efficient and so intelligently assembled. It is a character piece with large narrative function just as much as it is a pure lizard-brained delight. It is not everything I want out of wrestling, but save for some of the real epics out there, it comes closer to a personal mission statement than 95% of the genre could ever imagine.
One of the great spectacles of violence not only in the year 2000, or out of ECW period, but of the entire twenty first century to date.